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IN THE COMMUNITY | FOR THE COMMUNITY
"Hysteria - a condition in which community-wide fear overwhelms logic and individual thought and ends up justifying its own existence.
Arthur Miller's The Crucible, where truth and lies collide in a battle for redemption. Walk in the shoes of John Proctor, a flawed yet honourable man who battles against a society consumed by paranoia. Feel your heart race as accusations fly and lives hang in the balance. Step into the dark depths of Abigail's cunning mind, as she ignites a fiery tale of desire, betrayal, and deadly consequences.
Under the direction of Rebecca Fletcher, The Henry Lawson Theatre will bring Arthur Miller's timeless masterpiece to life, immersing you in the chilling atmosphere of the 17th century, transporting you back to a time when moral integrity was tested, friendships were shattered, and justice was threatened.
Join us as we shine a light on the timeless themes and the unwavering pursuit of truth in 'The Crucible.' "
Cast:
Joshua Paterson - John Proctor
Tayah Gulyas - Abigail Williams
Holly-Leigh Prophet - Elizabeth Proctor
Stephen Ollis - Reverend Parris
Layissa Mugridge - Mary Warren
Mitchell Rist - Reverend John Hale
Ken Fletcher - Judge Danforth
Mark Prophet - Judge Hathorne
Aled Stephens - Ezekiel Cheever
Elliot Prophet - Thomas Putnam
Nicole Smith - Ann Putnam / Sarah Good
Aurel Vasilescu - Francis Nurse
Michelle Hussey - Rebecca Nurse
Davo Hardy - Giles Corey
Campbell Simspon - John Willard
Georgia Willet - Tituba / Martha Corey
Nicole Madden - Mercy Lewis
Leisel Hussey - Betty Parris
Olivia Gray - Susanna Walcott
Lily Hampson - Ensemble
Mya Crosetta - Ensemble
Director:
Rebecca Fletcher
Show Dates (2023):
Friday 1st Sep - Sunday 3rd Sep
Friday 8th Sep - Sunday 10th Sep
Friday 15th Sep - Sunday 17th
Crew
Production Manager: Lisa Prophet
Lighting Design and Rig: Mark Prophet
Sound Design:
Nicole Madden
Joshua Paterson
Puritan Costume Design: Lyn Sterling
Publicity Manager Nicole Smith
Design:
Nicole Madden
Joshua Paterson
Trailer Design and Concept: Davo Hardy Films
Photography: Rebecca Fletcher
Lighting Operator: Emma Lebeuf
Sound Operator: Rhonda Hancock
Stage Manager: Kiani Hyde
F.O.H Manager: Lisa Prophet
Set Construction:
Ian Fletcher
Aurel Vasilescu
Mark Prophet
Mitch Rist
Trevor Robey
Trailer
Gallery
Reviews
Stage Whispers
Arthur Miller wrote The Crucible as an allegory of events in America in 1950s, where the fear of communism became so endemic that many people with left-wing or seemingly ‘subversive’ ideas were accused of “Un-American Activities”. He based the story on the Salem witch trials that occurred in the Massachusetts Bay Colony in the 1690s. The play premiered in January 1953 – and in 1956 Miller himself was questioned and convicted by the House of Representatives Committee on Un-American Activities.
4th Wall Review
There is undeniable evidence that we find ourselves navigating turbulent times. One need only glance at the news to confront this reality. Rights, once taken for granted, are gradually eroding. Voices, painstakingly fought for, are now under scrutiny. Even the fundamental ability to independently think, to mould one's unique opinions and ideas, appears to be fading into obscurity. The oft-repeated refrain of "we live in unprecedented times" has lost its initial sense of novelty and comfort. These times are no longer truly unprecedented, and perhaps they never were.
Trailer
Gallery
Reviews
Stage Whispers
Rebecca Fletcher has led her cast with a conscientious, creative hand, ensuring the characters are clearly defined and the action carefully paced. It is not easy managing such a large cast, of varying experience, but she does so judiciously, staying true to the infamous characters and the playwright’s critical intent.
4th Wall Reviews
Director Fletcher’s approach to Miller's 'The Crucible' was undeniably ambitious, and its pursuit was unquestionably worthwhile. The connections they aimed to establish between different time periods were both timely and compelling. While I believe there was room for further development in this direction, I must acknowledge that the performance was thoroughly enjoyable and came with much to recommend.